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All Things Are Too Small

Essays in Praise of Excess

Audiobook
0 of 1 copy available
Wait time: About 6 weeks
0 of 1 copy available
Wait time: About 6 weeks

A glorious call to throw off restraint and balance in favor of excess, abandon, and disproportion, in essays ranging from such topics as decluttering, mindfulness, David Cronenberg, sadomasochism, and women who wait.

All Things Are Too Small is brilliant cultural and literary critic Becca Rothfeld's plea for derangement: imbalance, obsession, gluttony, and ravishment in all domains of life, from literature to romance. In a healthy culture, Rothfeld argues, economic security allows for wild aesthetic experimentation and excess, yet in our contemporary world, we've got it flipped. The gap between rich and poor yawns hideously wide, while we compensate with misguided attempts to effect equality in love and art, where it does not belong.

Rothfeld shows how our culture's embrace of minimalism has left us spiritually impoverished: how decluttering has reduced our living spaces to vacant non-places; how the mindfulness trend has emptied our minds of the musings, thoughts, and obsessions that make us who we are; how the regularization of sex has drained it of unpredictability and therefore true eroticism; and how our craze for balance has yielded fictions with protagonists who aspire, stylistically and substantively, to excise their appetites.

With uncompromising intellect, exuberance, and sly humor, Rothfeld insists that in culture, imbalance functions as a catapult, transforming our stagnant beliefs and identities. For culture to change, she says, it must bulge and binge.

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    • Publisher's Weekly

      Starred review from February 26, 2024
      Washington Post book critic Rothfeld’s erudite debut collection muses on the merits of indulgence. In “More Is More,” Rothfeld likens the spare storytelling in “fragment novels” by such authors as Kate Zambreno and Jenny Offill to the decluttering ethos espoused by Marie Kondo, critiquing both for prioritizing utility over sentimentality. Individuality, she suggests, is achieved through the accumulation of things (friends, fears, and phobias, for instance) one doesn’t need. “Wherever You Go, You Could Leave” derides the recent mindfulness vogue and contends that though some people might find the mental exercises soothing, the movement’s emphasis on tranquility and acceptance serves to divert attention from the material inequalities and unjust labor conditions that stress people out in the first place. Elsewhere, the author pushes back against a recent spate of books decrying the “rough, casual, and extramarital sex that the sexual revolution legitimated” and posits that the ostensibly restrained films of French director Éric Rohmer “trade in unfamiliar forms of exaltation,” brimming with tenderness rather than overt sexuality. Rothfeld has a knack for aphorism (“There is nothing more foreign to justice than love”), and it’s an absolute pleasure to watch her idiosyncratic arguments unfold. This is a triumph.

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  • English

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